TWO:In sculpture at this period we stood much lower than in painting. Here we had no Hogarth, nor even a Thornhill. All that was of any value in this art proceeded from the chisels of foreigners, and even in that what an immense distance from the grand simplicity of the ancients! The sculpture of Italy and France was in the ascendant, but Bernini and Roubiliac had little in common with Phidias and Praxiteles, and our own sculptors presented a melancholy contrast to the work of artists of the worst age of Greece or Rome; there is scarcely a name that is worth mentioning. The best of the native sculptors was John[164] Bushnell, who was employed by Wren to execute the statues of the kings at Temple Bar; and Francis Bird, who was also employed later by Wren to execute "The Conversion of St. Paul," in the pediment of the new cathedral, the bas-reliefs under the portico, and the group in front, all of a very ordinary character. His best work is the monument of Dr. Busby in the transept of Westminster Abbey. Besides this he executed the monument of Sir Cloudesley Shovel, also at Westminster, and the bronze statue of Henry VI., in the quadrangle of Eton College, both very indifferent. Gibbs and Bird executed the ponderous and tasteless monument of Holles, Duke of Newcastle, at Westminster, and the fine old minster is disgraced by a crowd of still more contemptible productions of this period. These can only be equalled in wretchedness by the works of a trading school, who supplied copies in lead of ancient gods, goddesses, shepherds, shepherdesses, etc., for the gardens of the nobility, which soon swarmed in legions in all the gardens and areas in and around the metropolis. Amongst the chief dealers in this traffic were Cheere and Charpentier, who employed foreign artists, even, for such images, and it was the fortune of Roubiliac to commence his English career with the former of these traders. The three chief foreigners of this period were Rysbraeck, Scheemakers, and Roubiliac, who were copyists of the French sculptors Coysevox, Bouchardon, and Le Moyne, as these had been of Bernini.It is only too true, however, that many of the Hampden Clubs entertained very seditious ideas, and designs of seizing on the property of the leading individuals of their respective vicinities. Still more questionable were the doctrines of the Spenceans, or Spencean Philanthropists, a society of whom was established in London this year, and whose chief leaders were Spence, a Yorkshire schoolmaster, one Preston, a workman, Watson the elder, a surgeon, Watson the younger, his son, and Castles, who afterwards turned informer against them. Mr. "Orator" Hunt patronised them. They sought a common property in all land, and the destruction of all machinery. These people, with Hunt and Watson at their head, on the 2nd of December, met in Spa Fields. The Spenceans had arms concealed in a waggon, and a flag displayed declaring that the soldiers were their friends. The crowd was immense, and soon there was a cry to go and summon the Tower. Mr. Hunt and his party appear to have excused themselves from taking part in this mad movement. The mob reached the Tower, and a man, supposed to be Preston, summoned the sentinels to surrender, at which they only laughed. The mob then followed young Watson into the City, and ransacked the shop of Mr. Beckwith, a gunsmith, on Snow Hill, of its firearms. A gentleman in the shop remonstrated, and young Watson[122] fired at him and severely wounded him. Young Watson then made his escape, but his father was secured and imprisoned; and the Lord Mayor and Sir James Shaw dispersed the mob on Cornhill, and took one of their flags and several prisoners. Watson the elder was afterwards tried and acquitted; but a sailor who was concerned in the plunder of the gunsmith's shop was hanged. A week after this riot the Corporation of London presented an Address to the Throne, setting forth the urgent necessity for Parliamentary reform.

TWO:CARLTON HOUSE, LONDON (1780).